Over
the years even great instruments experience routine treatment
that results in conditions that must be corrected through careful
restoration. Such was the case with a 1734 Guarneri del Gesu
that was brought to Gregg Alf. The belly of this instrument
had suffered considerable wear from periodic sound post adjustments.
The following images display the process that Gregg Alf undertook
to correct this problem.
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1. Top of a 1734 Del Gesu
2. Inside of belly showing soundpost wear. Note that there
was also a previous patch.
3. This close-up shows why string players should not attempt
to adjust their own sound posts.
4. Gregg has made a cast (seen through the f-hole) to
support the work. He has also made a paper mask that will
be used to align the patch.
5. This image displays a close-up of the worn wood being
removed with a chisel. Next the same area will be carefully
scraped.
6. With the patch, mask and surface prepared, Gregg is
ready to fit the patch.
7. With the patch, mask and surface prepared, Gregg is ready
to fit the patch.
8. The mask is removed.
9. Cleats are prepared.
10. Chalk is used to achieve
a perfect fit.
11. Glueing
12. With the cast supporting the work, the patch is glued.
13. Clamping the patch in place
14. Once in place the cleats will allow the patch to be
removed and replaced in the same position during fitting.
15. The cleats have now been removed.
16. After the glue is dry, the excess wood is removed.
17. A paper separator helps to remove the working stock
from the base of the patch.
18. Here we have the base of the patch prior to final
trimming with gouge, plane, then scraper. Note that the
one-grain clockwise rotatation is no longer in fashion
in many restoration shops.